'Relics of what could be, what could have been'

Relics of what could be, what could have been
Slugtown, Newcastle, July 2017

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Field study of touch

Concrete

Ephemeral monument

Once more with feeling

Photographic print 

Rescind, withdraw, revoke

Concrete, Resin, Anchor bolts, Silk

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Relics of what could be, what could have been plays with archaeological & anthropological language, maybe its the start of an emotional archive; how do we record feeling, do objects embody feeling, does it provoke empathy? Imagine a map of every touch you’ve felt. Each work holds its own narrative and they are held in each other’s company by their shared language, material and the space they occupy.


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